Cape Verdean Musician Carmen Souza Explores British Influence in Her New Album

In her new album Port'Inglês, Cape Verdean singer Carmen Souza delves into the unique impact of British presence in Cape Verde, using her family's history and a combination of jazz and traditional rhythms to create fresh soundscapes.

 

When Cape Verdean singer Carmen Souza reflects on her childhood, she recalls family get-togethers where she was often urged to "ariope," a term derived from the English "hurry up." This linguistic connection spurred her curiosity about the historical ties between Cape Verde and Britain, leading to the creation of her album, Port'Inglês, which explores the 120-year-long British presence in her homeland. Souza, a jazz vocalist and instrumentalist, has discovered a wealth of English-derived Creole words that permeate Cape Verdean culture, showcasing the enduring influence of British merchants who once thrived on the islands.

Amidst her journey of exploration, Souza learned about the historical significance of São Vicente's Mindelo port as a bustling refuelling stop for British steamships. This strategic location, previously a Portuguese colony, became a melting pot of cultures influenced by trade, labor, and music. The British brought not only coal but also musical elements that intermingled with the vibrant rhythms of Cape Verde, inspiring Souza's creative process.

In crafting Port'Inglês, Souza has infused her compositions with the jazz elements typical of her style, while integrating local genres such as funaná and batuque that echo the island's rich heritage. One of her songs, "Ariope," tells a tale of generational connection, driven by her grandfather's legacy as a fiddler and stevedore. Souza's research speaks to the shared histories of migrants, highlighting how the Cape Verdean diaspora has shaped a global musical landscape.

The album also draws inspiration from notable figures like Francisco Beleza, a significant contributor to Cape Verdean music, who found more benefits in British influence than in Portuguese colonialism. Likewise, Souza's song "Amizadi" pays homage to the past, bridging jazz with traditional Cape Verdean sounds, aiming to inspire contemporaries to revive fading musical forms.

Souza's findings concerning the British influence extend to tangible aspects of Cape Verde’s music scene, notably reflected through a diary entry by Charles Darwin, who encountered local women performing a vibrant version of batuque. Such historical narratives grant depth to her work, encouraging younger generations to blend modern influences with traditional elements, fostering a renaissance in Cape Verdean music.

As she releases Port'Inglês, Carmen Souza hopes to inspire a renewed appreciation for the rich musical heritage rooted in the islands, reminding listeners that the essence of Cape Verde lies in its colorful past and vibrant future.