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India's 36-Year Restriction on Rushdie's 'Satanic Verses' Lifted Due to Lost Order

Salman Rushdie's controversial novel can now be imported into India after a court decision.

By Victoria Kim and Pragati K.B.Source: nytimes.com1 min read
India's 36-Year Restriction on Rushdie's 'Satanic Verses' Lifted Due to Lost Order
Image via nytimes.com

In brief

In a surprising turn of events, India has lifted a 36-year ban on Salman Rushdie's provocative novel, "The Satanic Verses," due to the inexplicable absence of the original customs notification that instituted the restriction. The ban, enacted shortly after the book's release in 1988 amid fears of retaliation from orthodox Muslim groups, has always raised eyebrows for its bureaucratic origins rooted within the Ministry of Finance. This week, the Delhi High Court determined that the ban could not be upheld, as officials from the Central Board of Indirect Taxes and Customs were unable to produce any records of the original notification from October 5, 1988, leading to a ruling that presumed the non-existence of such an order. As the dust settles, Mr. Rushdie’s text is now free for importation into India, marking a significant moment in the ongoing discourse surrounding freedom of expression and literature in the country.

In a historical context, the controversy surrounding "The Satanic Verses" traces back to the issuance of a fatwa by Iran’s Ayatollah Khomeini, who called for Rushdie's death due to perceived blasphemy in the novel. India was notable for its early censorship, showing how governments often grapple with balancing religious sentiment and freedom of expression. This recent ruling reflects an evolving attitude towards literature that challenges norms and provokes thought, as the court's dismissal of the ban signifies recognition of the importance of accessible discourse and the accountability of customs regulations. In conclusion, the removal of this long-standing restriction could spell a new chapter for literary freedom in India, symbolizing a gradual shift in how controversial works are perceived and dealt with in the cultural landscape.

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