At a Moscow concert hall, Shohruhmirzo Ganiyev is crooning about love and his motherland, Uzbekistan. Put your legs together like a man, suggests his voice coach and choreographer. And spread your arms wider! It's just a rehearsal, but Shohruhmirzo is singing his heart out. He's performing traditional Uzbek melodies to a modern beat and playing a doira, the ancient drum of Central Asia. Uzbekistan is among 23 countries competing at the Intervision Song Contest—a new cultural initiative from Russia designed to replace its participation in Eurovision, which was curtailed due to geopolitical tensions following the invasion of Ukraine.
Intervision 2025 is Vladimir Putin's brainchild, envisioned to enhance international cooperation in culture and unity. However, many see it less as a celebration of culture and more as a platform for geopolitical messaging amidst global criticism. Unlike Eurovision, which celebrates diversity and LGBTQ rights, Intervision presents a more traditional cultural format, catering to states aligned with Russian geopolitical interests.
The lineup features nations that echo Russia's alliances, like China, India, and Brazil. With no public vote and a jury system allegedly designed by an esteemed scientist, the event is keenly watched for its political implications. As global participants arrive amidst concerns over Russia’s ongoing military actions, the sentiment at the event is mixed—some see it as an opportunity, while others view it with trepidation, wondering how much of a tool for propaganda it might become.
Representing Russia is Yaroslav Dronov (Shaman), known for his patriotic songs, indicating a strategic effort to frame Russia positively on the international stage. Meanwhile, attendees express hope that these performances might provide an escape from current conflicts, reflecting the complex dynamics between art, politics, and public perception.
Intervision 2025 is Vladimir Putin's brainchild, envisioned to enhance international cooperation in culture and unity. However, many see it less as a celebration of culture and more as a platform for geopolitical messaging amidst global criticism. Unlike Eurovision, which celebrates diversity and LGBTQ rights, Intervision presents a more traditional cultural format, catering to states aligned with Russian geopolitical interests.
The lineup features nations that echo Russia's alliances, like China, India, and Brazil. With no public vote and a jury system allegedly designed by an esteemed scientist, the event is keenly watched for its political implications. As global participants arrive amidst concerns over Russia’s ongoing military actions, the sentiment at the event is mixed—some see it as an opportunity, while others view it with trepidation, wondering how much of a tool for propaganda it might become.
Representing Russia is Yaroslav Dronov (Shaman), known for his patriotic songs, indicating a strategic effort to frame Russia positively on the international stage. Meanwhile, attendees express hope that these performances might provide an escape from current conflicts, reflecting the complex dynamics between art, politics, and public perception.
